pierce warnecke is a multidisciplinary digital artist. his work, on the border between experimental music, digital arts and video art, is influenced by the observation of the effects of time on matter: modification, deterioration and disappearance. he has presented his work in the form of performances, concerts and installations at mutek, zkm, ctm, elektra, kw institut, la biennale nemo, sonic acts, martin gropius bau, mac montreal, scopitone, lev festival, sxsw, file, etc.

he has co-curated emittermicro label and festival with kris limbach and seiji morimoto in berlin since 2011, and also curates le signal festival in france with louis laurain.

between 2017 and 2019 he composed several audiovisual pieces with frank bretschneider, neil leonard and solo for the institute for sound and musicís hexadome project in berlin, san francisco, montreal and more.

his music has been published on raster-media (de) and room40 (au), and he is represented by disk agency in berlin.

statement: "my work stems from interest in the effects of time on matter: modification, deterioration and disappearance. whether the focus is on digital forms or rough materials, large scales of time or microscopic details, the goal of these pieces is to re-adapt existing sonic, visual or physical objects and materials into parallel contexts where their signified meanings, symbols and cultural connections have become residual ghosts; abstractions with loose connections to reality, like distant memories.

the possibility of altering the 'real' (or one's perception of it) through the intensity of physical experience lies at the core of how i compose, by working with contrasting scales of activity (from static to frenetic) and focusing on the limits of human perception in regards to duration, frequency and amplitude of both visual and sonic material. i am interested in challenging what we can hear and what we can see in order to develop a personal language combining vibration, light, movement, color, shape and structure."